Row Z edition 58; dateline 6 September 2011
Daylight  robbery in two hemispheres
The third most looted brand* in England’s  recent unpleasantness, Adidas, have angered New Zealand rugby fans by pricing  All Black replica shirts for the forthcoming world cup at a staggering $250 in  local outlets. If that wasn’t bad enough – and Google tells us that $250 equals  £125** – the kit company is facilitating the sale of the very same shirts by  American-based websites at $100 or, if you prefer, 50 of your English pounds.  Adidas have responded by suggesting that the Kiwis should show loyalty to local  retailers by buying what Frankie Boyle would doubtless call “the shiny, shiny”  on their high street. According to retailer Rebel Sport New Zealand, “They  point blank refused to reduce the price by even one cent.” The only suggestion  we could come up with to break this impasse was for our Kiwi pals to buy  themselves one of England’s lovely, new, black change strips and put some  gaffer tape over the red rose. 
*This is a made up statistic
** This isn’t
Crystal egg-shaped ball gazing
    While we are on the subject of the rugby,  Sideliner has been asked, yes actually asked, to offer an opinion on the likely  outcome. These things are certain: (1) that Martin Johnson’s inability to find,  develop or suborn from another nation a man who can function in the number  seven shirt will come back and bite him in the bum; (2) that Wales will fail to  get out of their group; (3) that England will but may not get much further; (4)  that Ireland will flatter to deceive; (5) that even if New Zealand do overcome  their own demons and actually win the damn thing it will not count as it’s in  their own back yard; and (6) that rugby development would have been better  served had the event been awarded to Japan, as it should have been.
Can you come out to play?
    As an aside, The Leisure Review will be spicing  things up by allowing readers and their friends to enter our Rugby World Cup  Fantasy League. Sidey has no idea what this means nor why one should involve  oneself but both the lairy graphic designer and the work experience lad believe  it to be a proper wheeze. We quote from the extensive marketing: “Joining The Leisure Review's Fantasy League  couldn't be simpler. Go to this address http://espnscrum.fantasyleague.com/Index.aspx and then, if you haven't already, register to create your free fantasy team for  this year's rugby world cup. Once you've picked your side, click on the link to  join a private league and enter the unique pin for The Leisure Review Championship – 9182.” What, as the saying goes,  could possibly go wrong. 
And that’s an unsayable delivery
    The floppy-haired  intern was idling away an afternoon with the G2 crossword recently when he was  forced to ask assistance with a cricket delivery-related clue. The solution was  “chinaman”, an expression he had never heard beyond the very limited sphere of  racist abuse in a public house; he certainly did not know that it related to  spin bowling, despite having spent all summer listening to Test Match Special  as Sidey insists on having it droning on all day, especially when we’re  winning. Does this reflect a new found equitable attitude in the world of  flannels and flanelling or is it simply that there are so few left-handed wrist  spinners in the top flight these days that Aggers, Blowers and company have had  no opportunity to dust it off and offend about 20% of the world’s population  recently? 
At the Arts End
You don’t need to make it up
    There are few things worse than the  enthusiasm of a late adopter but Sideliner just will not stop going on about  Twenty Twelve, the spoof documentary which mocks all things London Olympics.  Set in the offices of the Olympic Deliverance Authority (arf!), the series –  which has, neatly enough just finished – pokes fun at po-faced,  self-aggrandising ineptitude wrapped up in management-speak and arrogance.  Nobody for a moment would suggest that an organisation that writes to its  customers telling them about “the greatest show on earth” before suggesting  they buy a stuffed toy called Pride the Lion could possibly be run by  caricatures such as portrayed on Twenty Twelve but the name of the pretend PR  firm at the heart of the spoof ODA is called Perfect Curve, and if there isn’t  a company called that populated by vacuous young women with nice legs and a  diploma in journalism from Putney University, there soon will be. 
More beer, vicar?
    Sidey was  pleased to here that one of the Olympic sporting venues is already being used  as a "community hub venue-space" or what we used to call a  "church hall". It seems that the Campaign for Real Ale recently held  its annual beer festival at Earl's Court, the venue for Olympic volleyball.  Doubtless by the time God's Own Sport gets to fit its showpiece event between  the parish council's whist drive and the Scouts bring-and-buy sale someone will  have mopped up all the spilt beer so that the floor isn't too sticky. But why  is this item in the Arts End? Because this year's champion beer is from Essex  brewer Mighty Oak and goes by the literary soubriquet Oscar Wilde mild. 
Lord  preserve us, or at least Banksy
  Banksy just can’t keep out of the news  these days which, for a man who paints on other people’s walls without  permission, is a tad counter-intuitive. We shan’t trouble you with his non-feud  with somebody dubbed – or should we say daubed – King Robbo and instead focus  on a Bristol academic’s argument that the grafittist’s work should be given  more protection. John Webster, who is little more than a postgraduate student  of law, made his publicity-gleaning claim after one of Banksy’s illustrations  was painted over after being mistaken for 'regular' graffiti. We quote the Arts  Council, who sniffed, “While graffiti is considered to be nothing more than  vandalism in some sections of society, Bristol has a different attitude towards  the artform and Banksy's work has been embraced by many in the city.”  We shall leave the last word to Webster,who  chewed the end of his spectacles, paused meaningfully and drawled: “It can be  argued that his work, due to its political and social statements, carries a  cultural significance in modern society. The public has indicated that this  needs to be kept and by extension, preserved.”
  What have we learned?    
The groundswell of support continues to grow so we persevere with the question “What have we learned from…?”
The World Athletics championship: that Charles Van Comedy is a vainglorious popinjay whose time in the spotlight must surely soon end; that Jessica Ennis is the second best, not the best, heptathlete in the world; that Channel 4 are not feeling the love of the athletics community; and that the marathon is not an athletics event, being neither track nor field.
The World Rowing championship: that rowing venues do not have to look like the aquatic equivalent of a 1960s industrial estate; that whoever set the medal targets for 2012 knew full well that rowing would be worth a few gongs; that Paralympic classes are as logical as a soap opera script when the lead actor gets a film offer or a jail sentence; that Steve Redgrave isn’t getting any shorter, except in his criticism of failing boaters.
CAMRA’s latest “newspaper: that the concept of “5-minute activism” has been degraded to such an extent that soi-disant campaigning organisations are now using it to sell wares such as the Good Beer Guide 2012; that going drinking is now held to be good for old folk according to the Pub is the Hub people; and that not all magistrates have lost their sense of proportion in the wake of the recent unpleasantness as two breweries who have been bickering over who “owned” the Yorkshire rose have each been told to pay their own costs.
Sideliner
Row Z
    
    The view from the back of the stand    
    

